Public Sculpture Steps Up
Over the past 15 years public sculpture has become one of contemporary art’s
more exciting areas of endeavor and certainly its most dramatically improved
one.
Mark Wallinger’s 1999 “Ecce Homo,” a life-size figure of Jesus in London
reflective surfaces into an enveloping experience that is both humorous and
almost sublime
No one has been more important to the revival of public art than Jeff Koons
“Puppy” (1992) by Jeff Koons at the Guggenheim Museum in Bilbao, Spain
“Puppy” was intensely loveable, triggering a laugh-out-loud visual delight that
expanded your sense of the human capacity for joy
Richard Serra’s “Tilted Arc”
Richard Serra’s sculptures at the Museum of Modern Art in 2007.
prim yet erotic “Balloon Dog” sculptures
you are drawn toward them by their familiarity only to realize that they are
unprecedented
Koons’s “Rabbit” was part of the Macy's Thanksgiving day parade in 2007
see ourselves in his alluring reflective surfaces